Flexible fabrications : knitting yarns in architecture

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Abstract
  • Marginalized as an outmoded domestic handcraft yet accepted as a prevalent industrial

    process, knitting's simple construction techniques inherently produce strong,

    lightweight, and elastic fabrics capable of curvature in multiple, simultaneous planes.

    Knitting is a self organizing process; its structures of pattern generate texture, surface,

    and form. A review of the past and current practice of knitting within textile

    production reveals knitting's paradoxical symbolic function; one that is

    simultaneously culturally loaded and ambiguous. Further exploration within the

    context of architecture highlights precedents for the architectural translation of

    knitting as method, material and metaphor. Knitting is proposed as a logical and

    topological model for architectural production with the capacity to generate an infinite

    variety of architectural solutions. Linking the ball of yam with which one knits ( a

    clew or clue) and the basic knit unit ( a loop), the myth of the labyrinth provides the

    guiding thread for this investigation.

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  • Copyright © 2009 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.

Date Created
  • 2009

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