Imagining Law: Curated Narratives of Sexual Assault in The Ghomeshi Effect
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This project explores how myths of law are aesthetically animated. I unpack narratives of sexual violence, trauma, and social transformation presented in the verbatim theatre performance of The Ghomeshi Effect. I suggest that while the producers of the play claim that the verbatim methods authentically tell experiences of sexual violence, their representation of these narratives reproduce broader myths of law as an ordered system of truth. Stories of sexual violence in this performance are not authentic representations, but an aesthetic platform through which the power of law is animated.
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Copyright © 2018 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2018
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Thumbnail | Title | Date Uploaded | Visibility | Actions |
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jacklin-imagininglawcuratednarrativesofsexualassault.pdf | 2023-05-05 | Public | Download |