Riot Dyke: Music, Identity, and Community in Lesbian Film
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This thesis examines diegetic pre-composed music in three American lesbian feature films. Music in lesbian film is often selected to create cachet with the target audience. This cachet comes with accompanying “affiliating identifications” (Kassabian 2001) that allow music to be used in the films’ construction of characters’ identities. This thesis focuses specifically on riot grrrl and queercore musics (together “riot dyke” (Halberstam ([2003] 2008)) in three films: The Incredibly True Adventure of Two Girls in Love (Maria Maggenti, 1995), All Over Me (Alex Sichel, 1997), and Itty Bitty Titty Committee (Jamie Babbit, 2007). By examining how diegetic riot dyke music is used to build characters’ identities and contribute to the films’ narratives I argue that in these films riot dyke music is presented as being central to certain queer identities and communities, and that this music creates opportunities for characters’ personal growth and affirms characters’ identities in adverse environments.
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Copyright © 2016 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2016
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kornelsen-riotdykemusicidentityandcommunityinlesbian.pdf | 2023-05-05 | Public | Download |