The Punk Effect: Art School Bands, Artist Collectives, and the Makings of an Alternative Culture in Downtown Toronto 1976-1978
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This thesis aims to examine the intersections of music, art and politics in late 1970s Toronto, particularly among the artists and musicians of the nascent Queen Street West scene. My research has two intertwined goals. First, to investigate the effect that the nearby Ontario College of Art had on this scene and how local art students' formal training may have impacted their music. Secondly, the symbiotic connection between established artists and the local punk scene will be explored, through a discussion of how artist collectives General Idea and the Centre for Experimental Arts and Communication appropriated punk aesthetics and enlisted punk groups in order to further their owns artistic ends. To address these questions, pertinent theoretical models are applied, including; Birmingham School subcultural theory, theories of the avant-garde, and sociological high culture/mass culture debates.
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Copyright © 2019 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2019
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