Erotic body horror: dangerous female corporealities in contemporary French cinema

It appears your Web browser is not configured to display PDF files. Download adobe Acrobat or click here to download the PDF file.

Click here to download the PDF file.

Creator: 

Jennings, Erin

Date: 

2008

Abstract: 

Current trends in popular visual culture are oppressively restrictive in their representations of female corporeality and expressions of sexuality. This thesis looks at a number of contemporary French films that rupture the typically clean and glossy veneer that women's bodies have traditionally had in the cinema. Anatomy of Hell (2004), In My Skin (2002) and Trouble Every Day (2001) all showcase unruly carnalities that encourage a feminist re-thinking of the female grotesque as a potential site of protest and empowerment. Through a close analysis of the films and their reception, I argue that they have significant political implications, especially with regards to the relationships women have with their bodies. By disrupting ideals of femininity and bodily containment, and encouraging the expression of desire that exists outside the dominant (male) visual economy, erotic body horror creates a radical space that prompts new ways of thinking about female corporeality

Subject: 

Human body in motion pictures.
Women in motion pictures.
Sex role in motion pictures.
Feminist film criricism.
Motion pictures -- France.

Language: 

English

Publisher: 

Carleton University

Thesis Degree Name: 

Master of Arts: 
M.A.

Thesis Degree Level: 

Master's

Thesis Degree Discipline: 

Film Studies

Parent Collection: 

Theses and Dissertations

Items in CURVE are protected by copyright, with all rights reserved, unless otherwise indicated. They are made available with permission from the author(s).