From the National to the Global: The Transformation of the Royal Bank of Canada, 1864–2014

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  • Many scholars today treat globalization as a new form of imperialism, in which the global political economy remains constituted by competing national capitals and their respective nation-states. This view is shared by many Canadian political economists who, carrying on a longstanding debate, continue to argue that Canada should be understood as either a secondary imperialist power or a dependency of the American empire. In this dissertation, I argue that contemporary theories of imperialism and dependency neglect a number of qualitative changes to the global political economy over the last 40 years that challenge the conceptual framework on which they are based. Through a comparative-historical analysis of the changing assemblages of territory, authority, and rights that have sustained the Royal Bank of Canada's activities from 1864 to 2014, I argue that we should instead treat globalization as a novel epoch constituted by a centrifugal organizing dynamic that is moving the rights of capital and the authority over those rights to the transnational level. I claim that this process is transforming the nation-state from a capability to grow and develop national capitals into a capability for globalizing capitals as a result of new rights that restrict the ability of the nation-state to legislate against corporate interests. The dissertation concludes by reflecting on what this means for the future of Canadian liberal democracy and the struggle against global capitalism.

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  • Copyright © 2019 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.

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  • 2019

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