Glitch-Visible Cities - Fictional Essays
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What if architecture became street art? This thesis explores alternate ways to see the city — and the invisible terrains that are hidden within cities — through the lens of "glitch" territories and fiction. These invisible cities are born from intuition and draw sustenance from theory — including the work of Roland Barthes and Italo Calvino. It follows photogrammetry protocols used in heritage documentation — gathering, processing, consolidation of data, underlined with manipulation of techniques on photography, photogrammetry, and writing, respectively. Consequently, this thesis argues on the role of authorial agency and subjectiveness of the reader, as it is inferred in Calvino`s literary production, by revisiting it with digital imagery. The fiction essays are figuratively told by Invisible Cities`s protagonist, Marco Polo, where he depicts Glitch-Visible Cities. There, he departs into a universe of sprayed canvas and pixels to unnest the hidden pluriverse virtues of Ottawa and its murals.
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Copyright © 2021 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2021
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vieiragomes-glitchvisiblecitiesfictionalessays.pdf | 2023-05-05 | Public | Download |