Memories of the Photochemical: Examining the Digital Recreation of Analog Film Styles in Recent Popular Film
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This thesis examines the use of the digital intermediate to recreate the appearance of analog film techniques in recent popular cinema. This particular use of the digital intermediate, which rose to prominence with various concerns about the state of cinema in the digital age, reflects an anxiety toward new technology, as well as a nostalgia for analog filmmaking techniques. The films discussed in this thesis use the digital intermediate in ways that explore themes related to nostalgia and memory. The way filmmakers use this technology reflects the various changes in digital technology and attitudes toward recent technological change in cinema.
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Copyright © 2015 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2015
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