The Artist and the Audience: An Interdisciplinary Study of Composer-Audience Relationships in Musical Communication
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This thesis seeks to explore the possibility of identifying ideas about audience common to Western art music and Communications studies in order to establish an interdisciplinary method of musical study based on human relationships. This study focuses on the role and empowerment of the audience in terms of their relationship with the artist, and explored alongside changing ideas about the audience in Communications through the twentieth century. The audience relationships of three prominent composers whose art may be considered to have expressed their distinct attitudes about audience – Arnold Schoenberg, John Cage, and Laurie Anderson – are explored in order to demonstrate how Communications theory can provide an interpretive framework for the extended study and understanding of music.
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Copyright © 2014 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2014
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