Revisiting Markham's town plan : an Asian Canadian settlement
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- Abstract
Since the second part of the nineteenth century, waves of Chinese immigration
have left a deep and transformative imprint on Canadian society. Traditional
Chinatowns in every Canadian metropolitan region signal the presence of Asian
communities in the commercial built environment, but the question of Chinese society's
physical imprint on the residential landscape is yet to be fully considered. While the
number of Chinese commercial developments and "ethnic malls" (the new
"Chinatowns") in urban and suburban areas of major immigrant areas has increased in
recent years, adjacent residential neighbourhoods tend to be designed according to
conventional North American models and their English and European antecedents. This
thesis examines the question of cultural hybridity in contemporary architecture, and,
more specifically, the possibility of an urban planning and of an architectural language
inspired by Asian built culture, noting that China is itself in the midst of a huge
transformation. Focusing its research on the proposed master plan for Markham
Ontario, this thesis explores traditional Asian spatial and temporal conceptions
regarding built form and the garden, and the theme of "integration." The counterproposal
for Markham Town Plan presented in this thesis offers a critique of the
proposed master plan by the Remington Group, with a view to better serving a
community who cherishes walk-ability in a dense environment and fluid relationships
between generations. The proposal seeks to provide a built setting for the integration of
daily domestic life with social ritual and the spaces of shared cultural memory.
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Copyright © 2012 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2012
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