Good for the Heart and Soul, Good for Business: The Cultural Politics of Documentary at the Hot Docs Film Festival
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This dissertation looks at the ways in which the Toronto-based Hot Docs documentary film festival is undergoing a process of transforming documentary cinema and culture from the margins to the mainstream through a process of the commercialization of documentary. In particular three interlocking forces are examined, including populism, consumerism and liberalism. By privileging commercial interests and strategies over local community, advocacy and political activist considerations, Hot Docs is developing into a very successful and vital cultural institution and event, both nationally and globally. This thesis investigates the consequences of the festival’s commercial strategy with two aspects in mind—the mode of its consumption, and the management of contestation and dissent—and argues that radical perspectives, local advocacy and political participation are being eroded for the sake of a large, accessible and attractive festival image and performance.
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Copyright © 2014 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2014
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