This is Not the Apocalypse: Dissecting the End of the World, Sincerity, and the Canadian Zeitgeist in Two Novels by Douglas Coupland
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This thesis discusses the crossroads of Douglas Coupland, apocalyptic narratives, and Canadian literature, using two novels—Girlfriend in a Coma and Generation A—as focal points. Coupland subverts the traditional framework of end-of-the-world narratives in many ways—rewinding it entirely in Girlfriend in a Coma, for example. Likewise, the end of the world fails to bring catastrophic change, instead revealing catastrophic change has already taken place. This apocalyptic devastation takes the form of an absence in contemporary life, identified as a lack of sincerity in Girlfriend in a Coma and as a sense of storylessness in Generation A. The identification of this absence elevates Coupland’s protagonists and identifies them as the elect; however, despite their ensured survival of the apocalypse, the traditional or implicit promise of utopia is never fulfilled. This thesis discusses how this subversion of the apocalyptic framework serves—or fails—a contemporary, postmodern, and/or Canadian audience.
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Copyright © 2016 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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