"Middle-Earth Soundscapes: An Exploration of the Sonic Adaptation of Peter Jackson's 'The Lord of the Rings' Through the Lens of Dialogue, Music, Sound, and Silence"
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This thesis examines the complete soundtrack within Peter Jackson’s film trilogy The Lord of the Rings and discusses the sonic adaptation between the films and the original source material, J.R.R. Tolkien’s written trilogy by the same name. Adapted films are a popular avenue for filmmakers, and consequently theoretical film scholarship has been undertaken to study the components unique to cinematic adaptations. However, one component of adaptations has been neglected within film studies: the sonic adaptation. This thesis will focus specifically on the sonic adaptation in the popular fantasy film franchise The Lord of the Rings by discussing the dialogue, music, sound effects and silence. Through an examination of these components, the importance of each towards creating authenticity will become clear. This thesis will argue that the study of the sonic adaptation is a necessary future direction for film studies, and particularly studies that examine dialogue and sound.
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Copyright © 2017 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2017
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shehan-middleearthsoundscapesanexplorationofthesonic_r.pdf | 2023-05-05 | Public | Download |