Tillich's approach to art
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This thesis examines Tillich's views on the meaning or import of the fine arts. These are understood against the background of his life experiences and especially his theology. His pronouncements on art, frequently unconnected, are scattered throughout his works. The thesis draws especially from two publications and a lecture devoted to this subject. The thesis shows that Tillich was not primarily interested in the aesthetic aspects of art but in the depth dimension of artistic creations. His views were grounded in his theological and ontological orientation, which sought to correlate the revelatory possibilities expressed in selected works of art with both man's existential condition and search for ultimate reality. The thesis concludes that, while very interesting, Tillich's conception of meaning remains highly subjective.
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This work is available on request. You can request a copy at https://library.carleton.ca/forms/request-pdf-copy-thesis
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Copyright © 1981 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 1981
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