The Riot and The REDBLACKS: Football's Pluralities, Football's Auralities, Power, Position, and Place
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This thesis presents my personal experience and ethnographic research into some of the sounds and musics heard at soccer and Canadian football games inside of TD Place Stadium in Ottawa, Ontario, Canada. Using Pierre Bourdieu’s field-theory and Hobsbawm and Ranger’s ideas of invented tradition, I query identity, place, and position with reference to selected social actors and institutions through case studies concerned with two different ways power can be exercised into influence: grassroots and top-down. Chapter One examines the invention(s) of supporters’ culture in Ottawa from the grassroots level through the Ottawa Fury Football Club and their official supporters’ groups: The Stony Monday Riot and the Bytown Boys Supporters Club. Chapter Two examines an invented tradition, through the reinvention of existing traditions, vis-à-vis the performance of Stompin’ Tom Connors’ folk-song, “Big Joe Mufferaw,” by famed Ottawa musician Lucky Ron at the half-time of an Ottawa REDBLACKS football game.
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Copyright © 2016 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2016
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zalis-theriotandtheredblacksfootballspluralities.pdf | 2023-05-05 | Public | Download |