The cacophony of space and the clink clunk clang in Architecture : the mall corridor redux

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Abstract
  • The element of sound is nearly inescapable. The various ways in

    which sound is generated, perceived, represented, and hindered

    resonates not only within the realm of the auditory sense, but

    as well as the visual and tactile. Through investigating the represervation

    of sound, both in the aural and visual worlds, a

    deeper understanding of its profound effects can be observed.

    In the world of architectural space it is the element of sound that is

    often forgotten, whereas the sonic nature of a space is not designed.

    This thesis endeavours to examine how, through a comprehensive

    understanding of the various facets of sound representations, effects,

    and history, it can inform specifically designed sonorously

    beneficial spaces that directly reflect and support their purpose.

    This notion will be explored through the redesign of the shopping-

    mall corridor within the heritage structure of the Ogilvy

    Building in Ottawa, Ontario. Through adaptive architecture,

    the possibility exists to create a subjective aural space.

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  • Copyright © 2012 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.

Date Created
  • 2012

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