Uncanny dynamism : can neuroscience inform our understanding of the modern city?

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  • Why does the modern city feel alien? In his seminal book The Eyes

    of the Skin, Juhani Pallasmaa explains the feeling of alienation and

    detachment that one experiences in the modern city. He emphasizes

    that there is a lack of hapticity, or a lack of physical connection that an

    observer has in post-industrial cities. The media, as well as modern

    buildings, focus on ocularcentrism to display an immediate image or

    message, rather than a series of experiences which enrich and

    connect the user with the architecture. The scope of the thesis will be

    to explore the realms of neuroscience to be able to explain what this

    really means: what is our connection with the physical world? By

    asking this question, I will investigate through neuroscience how the

    modern city goes against perceptual needs. The influences it has on

    our well-being are dictated by more than biological imperatives;

    modern buildings pride themselves in the incorporation of green

    building technology and design, whether they have state of the art

    mechanical systems, maximization of sunlight, facilities that recycle

    waste matter, etc. Although admirable, these are all technical solutions.

    Architecture is also dictated by economic and political pressures. With

    this model, it inevitably follows a top-down pyramid scheme, where the

    inhabitants are at the bottom. Buildings seem like they stand alone in

    the horizon, objects that are supposed to display authority and power

    of the company or owner. Their repeated typologies reflect a society

    that preaches diversity, but in reality, instills sameness. The

    complexity of the natural world is what is hardwired in us, and if we do

    not reflect it, our minds will be anesthetized from our environments

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  • Copyright © 2012 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.

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  • 2012

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