Uncanny dynamism : can neuroscience inform our understanding of the modern city?
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Why does the modern city feel alien? In his seminal book The Eyes
of the Skin, Juhani Pallasmaa explains the feeling of alienation and
detachment that one experiences in the modern city. He emphasizes
that there is a lack of hapticity, or a lack of physical connection that an
observer has in post-industrial cities. The media, as well as modern
buildings, focus on ocularcentrism to display an immediate image or
message, rather than a series of experiences which enrich and
connect the user with the architecture. The scope of the thesis will be
to explore the realms of neuroscience to be able to explain what this
really means: what is our connection with the physical world? By
asking this question, I will investigate through neuroscience how the
modern city goes against perceptual needs. The influences it has on
our well-being are dictated by more than biological imperatives;
modern buildings pride themselves in the incorporation of green
building technology and design, whether they have state of the art
mechanical systems, maximization of sunlight, facilities that recycle
waste matter, etc. Although admirable, these are all technical solutions.
Architecture is also dictated by economic and political pressures. With
this model, it inevitably follows a top-down pyramid scheme, where the
inhabitants are at the bottom. Buildings seem like they stand alone in
the horizon, objects that are supposed to display authority and power
of the company or owner. Their repeated typologies reflect a society
that preaches diversity, but in reality, instills sameness. The
complexity of the natural world is what is hardwired in us, and if we do
not reflect it, our minds will be anesthetized from our environments
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Copyright © 2012 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2012
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