Richard Linklater's "Before" Series: Time, Duration, and Memory
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This thesis investigates the relationship between the films in Richard Linklater’s “Before” series, Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013). Linklater’s career is full of experiments with narrative structure and time. But, the “Before” series is unique among these experiments, and among other series because of the strategy Linklater used to produce it: what this thesis refers to as Linklater’s strategy of duration. This thesis argues that Linklater uses his strategy of duration to explore what it means to be in time. In turn, this creates a temporal experience for the spectator that highlights being in time and their own temporality. Situating this series amongst various approaches to temporality showcases how its simple story belies a complex and multifaceted expression of being in time.
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Copyright © 2016 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2016
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sanders-richardlinklatersbeforeseriestimeduration.pdf | 2023-05-05 | Public | Download |