Script, culture, architecture : a dialogue

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Abstract
  • This thesis is a commentary on memory and cultural interpretation of

    architectural space, through language, narrative and representation. A

    dialogue is presented between two women, with culturally different

    backgrounds and experiences, who share memories of their past. This

    dialogue as an abstraction, prevents the work from forcing a set opinion or

    message, presenting facts that allow viewers/readers to come to their own

    conclusions - an introspective and personal searching in relation to the work.

    "Creating a narrative of the past is not about fixing and preserving

    events through memory but about allowing memory to give

    personal interpretations of, and hence distort, the events of the

    past...this memory creates fictions and is unstable, allowing a

    plurality of possible existences."

    The same can be said of architectural experience whereby architecture may

    have a specific intent, though no one person may experience and interact

    with it in the exact same way, becoming a personal narrative for the visitor.

    The architectural experience is a process that allows for the exploration of

    the way we construct, receive and communicate ideas - ideas concerning

    space identity, representation and the relationship between words and

    images created through narratives.

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Rights Notes
  • Copyright © 2010 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.

Date Created
  • 2010

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