The Moon Circles of shelkem: shíshálh Women's Use of Aesthetic Production as Place-Making
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In collaboration with three generations of shíshálh women, this thesis records this important cultural site, illustrating how shíshálh women create Place through aesthetic production and how such Places, used for their puberty rites, continue to be formative in shaping the identities of contemporary shíshálh women. This thesis adds to the growing body of literature which rectifies the absence of Indigenous women's culture and history within archaeological and ethnographic narratives by acknowledging Salish women's place-based aesthetic traditions. This study of the Moon Circles highlights the role of aesthetic production in shíshálh women's identities, the connection between Place, Salish women's puberty traditions, and their 'art'. In doing so, this research underscores the necessity of redefining dominant perspectives on Indigenous women's 'material culture', art, and ritual.
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Copyright © 2018 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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- 2018
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