This dissertation honours and pays tribute to Sudbury residents and many others for whom labour strikes played a significant role in shaping their lives. Set in the context of a public history theatrical experiment, this study investigates local and community memories pertaining to Sudbury mining strikes in the postwar period from 1958 through to 2010. Archival research and oral history interviews were conducted on major labour strikes in this era and that research was used to script, rehearse, and stage a theatrical play. Interviews with audience members and performers were also conducted at all stages of the process. This process allows the dissertation to consider the perspectives of both performers and audience members, each enacting their roles as producers and consumers of public history. The dissertation also assesses the value of this form of history making, as it relates to the formation of historical consciousness, both then and now, of individuals within the Sudbury community. This study argues that public history as theatre has the potential to provide an effective and affecting means to nurture critical, reflexive historical consciousness both on and off the stage.