Witnessing the Violence of Modern Exile: An Examination of the Relationship Between the Image, the Spectator, and the Context of Photographs of Pain and Suffering
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On September 2, 2015, the image of a young Syrian boy’s body lying on a beach in Turkey immediately rose public awareness of, and drew media attention to, the refugee crisis surrounding Europe’s sea borders, which serves as the starting point of this dissertation. The photograph, its reception, and the context it was taken in all raise several questions regarding the violent conditions of modern exile, the communicative potential of images, and the limits of the spectator’s reading of a photograph depicting the pain and suffering of an Other. This dissertation is therefore primarily concerned with the two topics of exile and photography, and challenges the assumption that certain photographs, like the one of a drowned Syrian toddler, are guaranteed to engage the audience and result in positive social change to end the pain and suffering witnessed.
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Copyright © 2016 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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bisnauth-witnessingtheviolenceofmodernexileanexamination.pdf | 2023-05-05 | Public | Download |