Free Improvised Music as a Deleuzian "Body Without Organs": An Interview-Based Engagement with Free Improvised Musical Practices
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This thesis engages with the nature of free improvised music as represented by a subset of the current community of free improvising musicians in Montreal. Through interview dialogue with a set of four free improvisers participating in this community, I trace an understanding of their varied musical practices in order to examine how free improvised music—with particular attention to the listening and creative practices highlighted by this group—promotes unique forms of musical subjectivity. Drawing on post-Deleuzian scholarship around sonic experience, difference, and identity, I argue that free improvised music stands in a historically distinct location in relation to the 'musical text'. Furthermore—and drawing on the Deleuzian concepts of the "Body without Organs," and "the refrain"—I argue that the creative practices demonstrated by this set of improvisers highlight the capacity of free improvised music to confound conventional notions of musical subjectivity and selfhood.
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Copyright © 2018 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
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